Spanish Dances, Op. 21: No. 1. Malaguena
Pablo de Sarasate, James Ehnes, Eduard Laurel
Wieniawski / Sarasate: Violin Showpieces
5:21 January 1, 2000
BPM
104
Key
D Major
Camelot
10B

Embed

Share Link

Spanish Dances, Op. 21: No. 1. Malaguena - Pablo de Sarasate, James Ehnes, Eduard Laurel Information

Acousticness
94%
Danceability
29%
Energy
4%
Instrumentalness
3%
Liveness
5%
Loudness
59%
Speechiness
5%
Valence
19%
Popularity
Loudness
-24.516 dB

Summary

"Spanish Dances, Op. 21: No. 1. Malaguena" by Pablo de Sarasate, James Ehnes, Eduard Laurel was released on January 1, 2000. With this song being about 5 minutes long, at 5:21, "Spanish Dances, Op. 21: No. 1. Malaguena" by Pablo de Sarasate, James Ehnes, Eduard Laurel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski / Sarasate: Violin Showpieces by James Ehnes. The song's track number on the album is #6 out of 12 tracks. In terms of popularity, Spanish Dances, Op. 21: No. 1. Malaguena is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Spanish Dances, Op. 21: No. 1. Malaguena BPM

Since Spanish Dances, Op. 21: No. 1. Malaguena by Pablo de Sarasate, James Ehnes, Eduard Laurel has a tempo of 104 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Spanish Dances, Op. 21: No. 1. Malaguena being at 104 BPM, the half-time would be 52 BPM with a double-time of 208 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.

Spanish Dances, Op. 21: No. 1. Malaguena Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Viola Concerto in C Minor: III. Allegro molto energico by Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensViola Concerto in C Minor: III. Allegro molto energicoJohann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensG Minor36A79 BPM
Airs ecossais, Op. 34 by Pablo de Sarasate, Tianwa Yang, Markus HadullaAirs ecossais, Op. 34Pablo de Sarasate, Tianwa Yang, Markus HadullaB♭ Major16B134 BPM
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile by Robert Schumann, Menahem Pressler, Emerson String QuartetPiano Quartet in E Flat, Op. 47: 3. Andante cantabileRobert Schumann, Menahem Pressler, Emerson String QuartetB♭ Major06B104 BPM
Violin Concerto in C Major, Hob.VIIa:1: II. Adagio by Joseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-BruhlViolin Concerto in C Major, Hob.VIIa:1: II. AdagioJoseph Haydn, Augustin Hadelich, Cologne Chamber Orchestra, Helmut Muller-BruhlE Major112B131 BPM
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro by Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioGli uccelli (The Birds), P. 154: V. Il cucu: AllegroOttorino Respighi, Chamber Orchestra of New York, Salvatore Di VittorioA Major111B117 BPM
Violin Concerto No. 2 in G Minor, Op. 131: II. Adagio quasi andante by Benjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kosice, Kirk TrevorViolin Concerto No. 2 in G Minor, Op. 131: II. Adagio quasi andanteBenjamin Godard, Chloë Hanslip, Slovak State Philharmonic Orchestra, Kosice, Kirk TrevorD Major110B167 BPM
Kol Nidrei - Adagio For Cello, Opus 47 by Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimKol Nidrei - Adagio For Cello, Opus 47Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel BarenboimD Major110B81 BPM
Carmen Fantasy, Op. 25: II. Lento assai by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineCarmen Fantasy, Op. 25: II. Lento assaiPablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineA Minor18A82 BPM
Schumann Romance in A Major, Op.94 No.2: Robert Schumann by Mela TenenbaumSchumann Romance in A Major, Op.94 No.2: Robert SchumannMela TenenbaumA Major111B80 BPM
Viola Concerto in C Minor: I. Allegro molto ma maestoso by Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensViola Concerto in C Minor: I. Allegro molto ma maestosoJohann Christian Bach, Henri Casadesus, Nemanja Radulović, Double SensC Minor25A96 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 1.0386364459991455

End: 1.0424449443817139