"Maidan 2014 / Cycle I: III. Give Rest, O Christ, to Thy Servant" by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych was released on September 30, 2022. The duration of Maidan 2014 / Cycle I: III. Give Rest, O Christ, to Thy Servant is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Maidan 2014 / Cycle I: III. Give Rest, O Christ, to Thy Servant's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Valentin Silvestrov: Maidan by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych. The song's track number on the album is #3 out of 24 tracks. Based on our data, Germany was the country where this track was produced or recorded. Maidan 2014 / Cycle I: III. Give Rest, O Christ, to Thy Servant is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Maidan 2014 / Cycle I: III. Give Rest, O Christ, to Thy Servant by Valentin Silvestrov, Kiev Chamber Choir, Mykola Hobdych has a tempo of 77 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Maidan 2014 / Cycle I: III. Give Rest, O Christ, to Thy Servant being at 77 BPM, the half-time would be 38 BPM with a double-time of 154 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
The music key of this track is F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Salvator Mundi | Herbert Howells, Conspirare, Craig Hella Johnson | G Major | 0 | 9B | 126 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Elegie | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | C Major | 0 | 8B | 61 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Son of God Mass: Agnus Dei | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Minor | 1 | 5A | 70 BPM | ||
The Passing of the Year: No. 1. Invocation | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | G Major | 1 | 9B | 143 BPM | ||
4 Postludes for Piano and String Orchestra: III. Larghetto | Valentin Silvestrov, Musiques Nouvelles, Jean-Paul Dessy, Alexei Lubimov | C Minor | 0 | 5A | 135 BPM | ||
Marco Rosano: Requiem | Andreas Scholl | B♭ Major | 2 | 6B | 59 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM |
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