Marin Marais, François Joubert-Caillet, L'Achéron made "[Suite en sol majeur]: V. Gavotte (No. 78)" available on June 9, 2023. With [Suite en sol majeur]: V. Gavotte (No. 78) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 5 out of 112. On top of that, Belgium appears to be the country where this track was created. [Suite en sol majeur]: V. Gavotte (No. 78) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of [Suite en sol majeur]: V. Gavotte (No. 78) by Marin Marais, François Joubert-Caillet, L'Achéron to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in D Major, Kk. 435 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Recorder Concerto in F Major: I. Allegro | Giovanni Battista Sammartini, Maurice Steger, Instrumentalensemble | B Minor | 1 | 10A | 78 BPM | ||
Mystery (Rosary) Sonata No. 1, "The Annunciation": I. Praeludium | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | D♭ Minor | 1 | 12A | 134 BPM | ||
L’Eraclito amoroso | Barbara Strozzi, Constantinople, Suzie LeBlanc | E Minor | 1 | 9A | 98 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Sonate III in F Major: I. Adagio | Élisabeth Jacquet de La Guerre, Ingrid Matthews, Byron Schenkman, Margriet Tindemans | A Major | 1 | 11B | 106 BPM | ||
Stabat Mater, RV 621 for Alto Solo: No. 7, Eja mater | Antonio Vivaldi, Holland Boys Choir, Netherlands Bach Collegium, Pieter Jan Leusink | E Major | 6 | 12B | 98 BPM | ||
Pièces de viole, Livre V: No. 46, Prélude en harpégement | Marin Marais, L'Achéron, François Joubert-Caillet | E Major | 0 | 12B | 81 BPM | ||
Frescos ayres del prado | Antoine Boësset, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 1 | 7A | 104 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM |
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