"Pièces de viole, Livre V: No. 46, Prélude en harpégement" by Marin Marais, L'Achéron, François Joubert-Caillet was released on February 5, 2016. The duration of Pièces de viole, Livre V: No. 46, Prélude en harpégement is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Pièces de viole, Livre V: No. 46, Prélude en harpégement's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Marin Marais, L'Achéron, François Joubert-Caillet's "Marais: Pièces favorites" album is number 1 out of 18. On top of that, Belgium appears to be the country where this track was created. Pièces de viole, Livre V: No. 46, Prélude en harpégement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pièces de viole, Livre V: No. 46, Prélude en harpégement by Marin Marais, L'Achéron, François Joubert-Caillet to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5e livre de viole: Prélude en harpègement: rondement | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 98 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 1 | 4B | 135 BPM | ||
Dolce Memoria | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | A Minor | 1 | 8A | 85 BPM | ||
Hamburg Symphony No. 4 in A Major, Wq. 182: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Folias (A 3) Echa Para Mi Señora Doña Tarolilla De Carallenos | Andrea Falconieri, Jordi Savall, Hespèrion XXI | B Major | 2 | 1B | 84 BPM | ||
Violin Sonata No. 1: I. (Praeludium) - Presto | Heinrich Ignaz Franz von Biber, Romanesca, Andrew Manze | B♭ Major | 3 | 6B | 128 BPM | ||
Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
Sonata Quarta in C Major: I. Sonata (Grave - Vivace - Adagio) | Philipp Heinrich Erlebach, L'Achéron, François Joubert-Caillet | B Major | 4 | 1B | 94 BPM | ||
Ludi musici I: 16. Alamande a 4, SSWV 54 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | B Major | 2 | 1B | 92 BPM | ||
Handel: Theodora, HWV 68: Overture | George Frideric Handel, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 1 | 3B | 98 BPM |
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