Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia's 'Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto' came out on March 4, 2014. The duration of Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto is about 3 minutes long, at 3:22. Based on our data, "Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. Based on our statistics, Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 2, "The Visitation": II. Allaman - III. Presto by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Allegro (fast, quick, and bright), since this song has a tempo of 135 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Violin Sonata in G Minor: II. Courante | Henry Eccles, Théotime Langlois de Swarte, Thomas Dunford | F♯ Minor | 2 | 11A | 156 BPM | ||
Concerto grosso No. 1 in B-Flat Major, Op. 3, HWV 312: I. Allegro | George Frideric Handel, Akademie für Alte Musik Berlin, Georg Kallweit | A Major | 3 | 11B | 125 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): III. Largo | Johann Gottlieb Goldberg, London Baroque | E♭ Minor | 1 | 2A | 82 BPM | ||
Cello Sonata No. 1 in G Minor: I. Grave | Domenico Gabrielli, Roel Dieltiens, Richte Van Der Meer, Konrad Junghanel | F♯ Major | 0 | 2B | 79 BPM | ||
Mystery (Rosary) Sonata No. 5, "The 12-Year-Old Jesus in the Temple": IV. Saraban | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 164 BPM | ||
Sonata Da Camera No. 9 in A Major, Op. 5: I. Preludio (Largo) | Arcangelo Corelli, Ottavio Dantone, Stefano Montanari | F Minor | 1 | 4A | 81 BPM | ||
Concerto in E Major for Violin, BWV 1042: Concerto in E Major for Violin, BWV 1042: II. Adagio | Johann Sebastian Bach, Andrew Manze, Academy of Ancient Music | C Minor | 1 | 5A | 78 BPM | ||
A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
Concerto grosso No. 10 in F Major: I. Preludio | Giovanni Benedetto Platti, Akademie für Alte Musik Berlin, Georg Kallweit | G Major | 0 | 9B | 95 BPM |
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