Fritz Kreisler, Kees Hulsmann, Marian Bolt's 'Chanson Louis XIII et Pavane in the Style of Couperin' had a release date set for November 4, 2016. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Fritz Kreisler, Kees Hulsmann, Marian Bolt's "Kreisler: The Complete Original Works for Violin and Piano" album is number 3 out of 35. In terms of popularity, Chanson Louis XIII et Pavane in the Style of Couperin is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chanson Louis XIII et Pavane in the Style of Couperin by Fritz Kreisler, Kees Hulsmann, Marian Bolt to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile | Wolfgang Amadeus Mozart, Ray Chen, Christoph Eschenbach, Schleswig-Holstein Music Festival Orchestra | A Major | 0 | 11B | 80 BPM | ||
La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141 / 3) | Franz Liszt, Lang Lang | A♭ Minor | 3 | 1A | 88 BPM | ||
Introduction et Rondo capriccioso in A Minor, Op. 28, R. 188 | Camille Saint-Saëns, Tianwa Yang, Malmö Symphony Orchestra, Marc Soustrot | C Major | 1 | 8B | 129 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Frederic Chiu, Pierre Amoyal | A Major | 1 | 11B | 130 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM |