Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker made "Vielliebchen, Polka française, Op. 1" available on January 7, 2014. The duration of Vielliebchen, Polka française, Op. 1 is about 3 minutes long, at 3:07. Based on our data, "Vielliebchen, Polka française, Op. 1" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 22 in the song's album "New Year's Concert 2014 / Neujahrskonzert 2014". In this album, this song's track order is #1. Vielliebchen, Polka française, Op. 1 is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Vielliebchen, Polka française, Op. 1 by Joseph Hellmesberger, Jr., Daniel Barenboim, Wiener Philharmoniker having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 5. Spacírka. Poco Adagio - Vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D♭ Major | 4 | 3B | 84 BPM | ||
Die tote Stadt - Arr. Franz Willms: Tanzlied des Pierrot | Erich Wolfgang Korngold, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 2 | 3B | 98 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Chopin: 3 Waltzes, Op. 34: II. Lento in A Minor | Frédéric Chopin, Ingrid Fliter | F Major | 0 | 7B | 70 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM |
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