"Missa pro Defunctis (1544): Agnus Dei" by Cristobal de Morales, Gabrieli, Paul McCreesh was released on January 1, 1998. The duration of Missa pro Defunctis (1544): Agnus Dei is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Missa pro Defunctis (1544): Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Cristobal de Morales, Gabrieli, Paul McCreesh's "Morales: Requiem - Music for Philip II" album is number 16 out of 19. Missa pro Defunctis (1544): Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro Defunctis (1544): Agnus Dei by Cristobal de Morales, Gabrieli, Paul McCreesh to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In Nomine - "Re la re": In Nomine - "Re la re" | Christopher Tye, The Rose Consort Of Viols, Clare Wilkinson | D♭ Minor | 0 | 12A | 0 BPM | ||
Mozart: Ave verum corpus, K. 618 | Wolfgang Amadeus Mozart, Edward Higginbottom, Capricorn, Choir of New College, Oxford | D Major | 1 | 10B | 61 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Bergamasca | Giovanni Girolamo Kapsberger, Marco Uccellini, Claudio Monteverdi, Constantinople | D Major | 2 | 10B | 123 BPM | ||
Requiem: Introitus | Carl Rütti, Olivia Robinson, Edward Price, The Bach Choir, Jane Watts, Southern Sinfonia, David Hill | E Major | 0 | 12B | 134 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Alleluya | Antoine Busnois, Capilla Flamenca | E♭ Major | 1 | 5B | 80 BPM | ||
Versa est in luctum | Alonso Lobo, Stile Antico | F♯ Minor | 1 | 11A | 125 BPM | ||
Ordo Virtutum, Prolog: "Audite "o lucis filie" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | F Major | 1 | 7B | 133 BPM | ||
Woman´s Prayer | George Gurdjieff, Anja Lechner, Vassilis Tsabropoulos | F Minor | 0 | 4A | 83 BPM |
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