Sean Barrett made "Life and Works: Slavonic Dance in A for piano duet, Op. 72 No. 15" available on April 16, 2004. The duration of Life and Works: Slavonic Dance in A for piano duet, Op. 72 No. 15 is about 3 minutes long, at 3:13. Based on our data, "Life and Works: Slavonic Dance in A for piano duet, Op. 72 No. 15" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Sean Barrett's "Life and Works: Dvorak (Siepmann)" album is number 2 out of 61. Based on our statistics, Life and Works: Slavonic Dance in A for piano duet, Op. 72 No. 15's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Life and Works: Slavonic Dance in A for piano duet, Op. 72 No. 15 by Sean Barrett to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chapter 117 - Raven Lord | JC Duncan, Sean Barrett | D♭ Major | 3 | 3B | 114 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Andrei Gavrilov | A♭ Minor | 5 | 1A | 180 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Mariss Jansons, Oslo Philharmonic Orchestra | D♭ Major | 0 | 3B | 73 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Vier letzte Lieder: 4. Im Abendrot | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D Major | 1 | 10B | 117 BPM | ||
Standchen (From "Schwanengesang") (Schubert - Liszt) | Anna Malikova | D Major | 0 | 10B | 60 BPM | ||
Chapter 113 - Enemies of Mercia | MJ Porter, Sean Barrett | D♭ Major | 2 | 3B | 129 BPM | ||
On Wings of Song, Op. 34, No. 2 | Felix Mendelssohn, Isaac Stern, Frank Brieff, Columbia Symphony Orchestra | A♭ Major | 2 | 4B | 98 BPM |
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