"Messa di Gloria, Op.posth., Gloria: Gratias agimus tibi" by Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra was released on 2001. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Puccini: Messa di Gloria". In this album, this song's track order is #4. Messa di Gloria, Op.posth., Gloria: Gratias agimus tibi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messa di Gloria, Op.posth., Gloria: Gratias agimus tibi by Giacomo Puccini, Roberto Alagna, Antonio Pappano, London Symphony Orchestra having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Roberto Alagna, Angela Gheorghiu, Simon Keenlyside, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | C Major | 1 | 8B | 83 BPM | ||
La Sonnanbula - Prendi, l'anel ti dono | Vincenzo Bellini, Roberto Alagna, Evelino Pidò, London Philharmonic Orchestra | A♭ Major | 1 | 4B | 82 BPM | ||
Il barbiere di Siviglia / Act 1: "Largo al factotum" | Gioachino Rossini, Hermann Prey, London Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 142 BPM | ||
Carmen, Act III, No.24 Finale: Prends garde à toi Carmen (Don José/Le Dancaïro/Bohémiens et Bohémiennes/Le Remendado/Carmen/Micaëla/Frasquita/Mercédès) | Georges Bizet, Roberto Alagna, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 4 | 3B | 87 BPM | ||
Carmina Burana: XVIII. Circa mea pectora | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | B Minor | 2 | 10A | 80 BPM | ||
The Birth of the Twins and Padmé's Destiny | John Williams, London Symphony Orchestra | E Major | 1 | 12B | 65 BPM | ||
Cavalleria rusticana: "Regina coeli, laetare" | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | D Major | 3 | 10B | 108 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, José Carreras, Domenico Trimarchi, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E♭ Major | 2 | 5B | 102 BPM | ||
Tosca / Act 1: "Mario! Mario! Mario!" | Giacomo Puccini, Mirella Freni, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | A♭ Major | 1 | 4B | 74 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM |
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