Carmina Burana: XVIII. Circa mea pectora - Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox Information

Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox made "Carmina Burana: XVIII. Circa mea pectora" available on January 1, 2005. The duration of Carmina Burana: XVIII. Circa mea pectora is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Carmina Burana: XVIII. Circa mea pectora's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #18. Carmina Burana: XVIII. Circa mea pectora is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Carmina Burana: XVIII. Circa mea pectora BPM

With Carmina Burana: XVIII. Circa mea pectora by Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Carmina Burana: XVIII. Circa mea pectora Key

B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.