"Pagliacci / Act 1: "Recitar!"" by Ruggero Leoncavallo, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede was released on April 27, 2021. With Pagliacci / Act 1: "Recitar!" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Giacomo Puccini, Giordano, Mario del Monaco's "Grandi Voci – Mario del Monaco canta Puccini e il verismo - Una collana con registrazioni originali Decca e Deutsche Grammophon rimasterizzate con le tecniche più moderne che ne garantiscono eccellenza tecnica e artistica." album is number 3 out of 34. On top of that, United Kingdom appears to be the country where this track was created. Pagliacci / Act 1: "Recitar!" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Recitar!" by Ruggero Leoncavallo, Mario del Monaco, Orchestra dell'Accademia Nazionale di Santa Cecilia, Alberto Erede to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Come Sinfonia | Giuseppe Di Stefano | B Major | 3 | 1B | 109 BPM | ||
Requiem, K. 626: Domine Jesu | Wolfgang Amadeus Mozart, Stephen Cleobury, Academy of Ancient Music, Christopher Purves, Choir of King's College, Cambridge, James Gilchrist, Elin Manahan Thomas, Christine Rice | C Minor | 3 | 5A | 98 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
La gazza ladra (The Thieving Magpie): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | G Major | 2 | 9B | 159 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Serenata | Enrico Toselli, Alfredo Kraus, Enrique Estela, Orquesta De Camara De Madrid | E Major | 3 | 12B | 167 BPM | ||
Rusalka: Song to the Moon | Antonín Dvořák, Olga Peretyatko, Miguel Gomez-Martinez | F♯ Major | 2 | 2B | 89 BPM | ||
Carmina Burana: II. Fortune plango vulnera | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | A Minor | 2 | 8A | 120 BPM | ||
Donizetti: L'elisir d'amore, Act 1 Scene 1: No. 1b, Cavatina, "Quanto è bella, quanto è cara!" (Nemorino) | Gaetano Donizetti, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | C Major | 1 | 8B | 171 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM |
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