Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz made "La gazza ladra (The Thieving Magpie): Overture" available on June 15, 1989. La gazza ladra (The Thieving Magpie): Overture appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Rossini: Overtures". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, La gazza ladra (The Thieving Magpie): Overture's popularity is average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With La gazza ladra (The Thieving Magpie): Overture by Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz having a BPM of 159 with a half-time of 80 BPM and a double-time of 318 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre, 3. Akt: Walkürenritt (Apocalypse Now): Act III: Ride of the Valkyries | Richard Wagner, Slovak Radio Symphony Orchestra, Uwe Mund | G Major | 2 | 9B | 91 BPM | ||
The Blue Danube Waltz, Op. 314 | Johann Strauss II, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 84 BPM | ||
Il Barbiere di Siviglia, Act II: Recitativo: Alfine eccoci qua (Figaro/Conte/Rosina) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Maria Callas, Luigi Alva, Tito Gobbi | G Major | 1 | 9B | 87 BPM | ||
Rossini: Guillaume Tell: Overture | Gioachino Rossini, Antonio Pappano, Gabriele Gemignani, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 82 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
The 4 Seasons: Violin Concerto in F major, Op. 8, No. 3, RV 293, "L'autunno" (Autumn): I. Allegro | Karoly Botvay | F Major | 0 | 7B | 107 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Peer Gynt Suite No.1 op. 46 In the Hall of the Mountain King (Alla marciia e molto marcato) | Academy of St. Martin in the Fields | E Minor | 2 | 9A | 132 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
Spartacus: Adagio of Spartacus and Phrygia | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 1 | 4B | 129 BPM |
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