"The Wild Duck (Kačena divoká)" by Leoš Janáček, Cappella Amsterdam, Daniel Reuss was released on January 24, 2012. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leoš Janáček, Cappella Amsterdam, Daniel Reuss's "Leoš Janáček: Choral Works" album is number 7 out of 31. On top of that, France appears to be the country where this track was created. Based on our statistics, The Wild Duck (Kačena divoká)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Wild Duck (Kačena divoká) by Leoš Janáček, Cappella Amsterdam, Daniel Reuss to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
La Vida Breve: Danza Española No. 1 (Arr. for Harp & Guitar) | Manuel de Falla, Duo Multicorde | A Minor | 2 | 8A | 96 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
30 Études de mécanisme, Op. 849: No. 1 in C Major. Allegro | Carl Czerny, Nicolas Horvath | C Major | 1 | 8B | 84 BPM | ||
Bist du bei mir (Arr. Hewitt, Formerly Attrib. Bach as BWV 508) | Gottfried Heinrich Stölzel, Angela Hewitt | E♭ Major | 0 | 5B | 64 BPM | ||
Dolly, Op.56: 2. Mi-A-Ou | Gabriel Fauré, Katia Labèque, Marielle Labèque | F Major | 1 | 7B | 71 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
String Sextet in D Minor, Op. 70, "Souvenir de Florence": II. Adagio cantabile e con moto | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 1 | 10B | 127 BPM |
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