"String Sextet in D Minor, Op. 70, "Souvenir de Florence": II. Adagio cantabile e con moto" by Pyotr Ilyich Tchaikovsky, Jan Vogler was released on March 4, 2016. Since String Sextet in D Minor, Op. 70, "Souvenir de Florence": II. Adagio cantabile e con moto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 16 in the song's album "Tchaikovsky". In this album, this song's track order is #14. Based on our statistics, String Sextet in D Minor, Op. 70, "Souvenir de Florence": II. Adagio cantabile e con moto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With String Sextet in D Minor, Op. 70, "Souvenir de Florence": II. Adagio cantabile e con moto by Pyotr Ilyich Tchaikovsky, Jan Vogler having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Children's Corner, CD 119, L. 113: No. 3, Serenade for the Doll | Claude Debussy, Simon Trpčeski | A♭ Minor | 0 | 1A | 180 BPM | ||
Saint-Saens - Danse macabre, S555/R240 (arr. V. Horowitz for piano): Danse macabre | Vladimir Horowitz, Franz Liszt, Valery Kuleshov | E♭ Major | 2 | 5B | 108 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 69 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | A♭ Major | 1 | 4B | 118 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Melody, Op. 20, No. 1 | Alexander Glazunov, Jan Vogler, Helmut Branny | D Major | 2 | 10B | 85 BPM | ||
Fantasiestücke, Op. 73: 1. Zart und mit Ausdruck | Robert Schumann, Kian Soltani, Aaron Pilsan | A Minor | 0 | 8A | 132 BPM | ||
Symphonie Espagnole In D Minor, Op. 21: 2. Scherzando (Allegro molto) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | G Major | 1 | 9B | 105 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |
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