"Dioclesian, Z. 627, Act III: Chaconne. Two in One upon a Ground" by Henry Purcell, Le Consort had its release date on November 3, 2023. The duration of This song is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Dioclesian, Z. 627, Act III: Chaconne. Two in One upon a Ground's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Philarmonica". In this album, this song's track order is #32. Furthermore, we believe that the track originated from France. Dioclesian, Z. 627, Act III: Chaconne. Two in One upon a Ground is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dioclesian, Z. 627, Act III: Chaconne. Two in One upon a Ground by Henry Purcell, Le Consort having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 82 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony | Henry Purcell, English Chamber Orchestra, Benjamin Britten | D Major | 3 | 10B | 81 BPM | ||
Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
The Fairy Queen, Z. 629 / Act 3: A Song In Two Parts And Chorus: "If Love's a Sweet Passion" | Henry Purcell, Jennifer Smith, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | F♯ Major | 1 | 2B | 135 BPM | ||
Stabat Mater: 2. Cujus animam | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | G Major | 1 | 9B | 79 BPM | ||
Sonata a violono e violone e cimbalo, Op. 5, Sonata No.11 in E: II.Allegro | Arcangelo Corelli, Trio Sonnerie | E♭ Major | 3 | 5B | 117 BPM |