"Turangalila-symphonie: II. Chant d'amour I" by Olivier Messiaen, Howard Shelley, Valerie Hartmann-Claverie, BBC Philharmonic, Yan Pascal Tortelier was released on August 1, 1998. Since Turangalila-symphonie: II. Chant d'amour I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Olivier Messiaen, Howard Shelley's "Messiaen: Turangalila-Symphonie" album is number 2 out of 10. Turangalila-symphonie: II. Chant d'amour I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Turangalila-symphonie: II. Chant d'amour I by Olivier Messiaen, Howard Shelley, Valerie Hartmann-Claverie, BBC Philharmonic, Yan Pascal Tortelier to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Sostenuto. Misurato. Prestissimo | György Ligeti, Claudia Janet Birkholz | D Major | 0 | 10B | 114 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major (Moderato) | Sergei Rachmaninoff, Vladimir Ashkenazy | G Major | 0 | 9B | 70 BPM | ||
Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Martin Fröst | F Minor | 0 | 4A | 100 BPM | ||
La Transfiguration de Notre Seigneur Jésus-Christ / Deuxième Septénaire: 8. Récit évangélique | Olivier Messiaen, Orchestre Philharmonique de Radio France, Myung-Whun Chung, R.T.F. Choeur De Radio France, Philip White | E Major | 0 | 12B | 89 BPM | ||
String Quartet No. 1, Op. 20: I. Allegro violento ed agitato | Alberto Ginastera, Enso String Quartet | G Major | 3 | 9B | 157 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 1 Mässig (Viertel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A♭ Major | 0 | 4B | 103 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM | ||
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / I. The Prologue: Lento moderato | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | C Major | 0 | 8B | 74 BPM |
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