Hymnus, Op. 57 - Julius Klengel, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Caroline Dearnley, Hannah Roberts, Rowena Calvert, Nicholas Trygstad, Jo Cole, Desmond Neysmith, Robert Max, Chris Murray, Ben Davies Information

Acousticness: 87%
Danceability: 10%
Energy: 7%
Instrumentalness: 76%
Liveness: 10%
Loudness: 61%
Speechiness: 4%
Valence: 3%
Popularity: 19%
Loudness: -23.151 dB

Summary

"Hymnus, Op. 57" by Julius Klengel, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Caroline Dearnley, Hannah Roberts, Rowena Calvert, Nicholas Trygstad, Jo Cole, Desmond Neysmith, Robert Max, Chris Murray, Ben Davies was released on January 10, 2020. With this song being about 5 minutes long, at 5:14, "Hymnus, Op. 57" by Julius Klengel, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Caroline Dearnley, Hannah Roberts, Rowena Calvert, Nicholas Trygstad, Jo Cole, Desmond Neysmith, Robert Max, Chris Murray, Ben Davies is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 13 in Elgar by Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Hymnus, Op. 57 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hymnus, Op. 57 BPM

The tempo marking of Hymnus, Op. 57 by Julius Klengel, Sheku Kanneh-Mason, Ashok Klouda, Josephine Knight, Caroline Dearnley, Hannah Roberts, Rowena Calvert, Nicholas Trygstad, Jo Cole, Desmond Neysmith, Robert Max, Chris Murray, Ben Davies is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

Hymnus, Op. 57 Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Le printemps, Op. 18	Darius Milhaud, Frédéric Pélassy, Eliane Reyes	F♯ Minor	2	11A	103 BPM
Viola da Gamba Sonata in G Minor, BWV 1029 (Arr. J. Klengel for Cello & Keyboard): I. Vivace	Johann Sebastian Bach, Julius Klengel, János Starker, Zuzana Růžičková	F Major	1	7B	175 BPM
Après un rêve, Op. 7, No. 1 (Arr. Piano)	Gabriel Fauré, Alan Feinberg	F Minor	2	4A	134 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
L'Horloge de Flore: 3h - Galant de jour	Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius	A Minor	1	8A	90 BPM
String Quartet No. 12 in F Major, Op. 96 'The American': II. Lento	Antonín Dvořák, Škampa Quartet	D Minor	0	7A	87 BPM
Zdes' khorosho, Op. 21, No. 7	Sergei Rachmaninoff, Yo-Yo Ma, Kathryn Stott	A Major	0	11B	88 BPM
6 Lieder, Op. 57: 5. Venetianisches Gondellied, MWV K114	Felix Mendelssohn, Harriet Krijgh, Magda Amara	B Minor	1	10A	86 BPM
Après un rêve, Op. 7, No. 1 (Arr. for Cello and Piano)	Gabriel Fauré, Sheku Kanneh-Mason, Isata Kanneh-Mason	G Minor	0	6A	112 BPM

ISRC: GBF071900790
Label: L-M Records/RCA Records

Section: 0.7827348709106445

End: 0.7875387668609619