"L'Horloge de Flore: 3h - Galant de jour" by Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius was released on January 1, 2010. The duration of L'Horloge de Flore: 3h - Galant de jour is about 3 minutes long, at 3:25. Based on our data, "L'Horloge de Flore: 3h - Galant de jour" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 18 in Bonjour Paris by Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius. In terms of popularity, L'Horloge de Flore: 3h - Galant de jour is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Horloge de Flore: 3h - Galant de jour by Jean Françaix, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM | ||
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
Mozart: Vesperae solennes de confessore, K. 339: V. Laudate Dominum | Wolfgang Amadeus Mozart, Barbara Hendricks, Academy of St Martin in the Fields Chorus, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 8 | 9B | 85 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Pavane Pour Une Infante Defunte, M.19 (Arr. for Oboe & Orchestra) | Maurice Ravel, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | F♯ Minor | 1 | 11A | 88 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: I. Moderato | Antonín Dvořák, Bavarian Radio Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 78 BPM | ||
Serenade for Wind in D minor, Op.44: 1. Moderato, quasi marcia | Antonín Dvořák, Martin Gabriel, Alexander Oehlberger, Peter Schmidl, Andreas Wieser, Stepan Turnovsky, Wolfgang Koblitz, Fritz Faltl, Ronald Janezic, Thomas Joebstl, Wolfgang Vladar, Wolfgang Herzer, Herbert Mayr, Myung-Whun Chung | F Major | 1 | 7B | 104 BPM |
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