"O Jerusalem" by Hildegard von Bingen, Sequentia was released on 1985. O Jerusalem appears to be safe for all ages as it is not explicit. The song is number 1 out of 27 in Bingen: Chants De L'Extase by Hildegard von Bingen, Sequentia. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. O Jerusalem is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of O Jerusalem by Hildegard von Bingen, Sequentia is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O choruscans stellarum | Hildegard von Bingen, Sequentia, Barbara Thornton | G Minor | 0 | 6A | 170 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Hear my Prayer, O Lord, Z. 15 | Henry Purcell, Armonico Consort, Christopher Monks | C Major | 1 | 8B | 65 BPM | ||
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
Taverner: Missa Gloria Tibi Trinitas - Benedictus | John Taverner, Peter Phillips, The Tallis Scholars | F Minor | 1 | 4A | 130 BPM | ||
Thy Resurrection-(authentic Kiev chant) | authentic Kiev chant, Monks Choir of Kiev Pechersk Monastery | D♭ Minor | 3 | 12A | 106 BPM | ||
Contre Qui, Rose | Nordic Chamber Choir | B♭ Minor | 1 | 3A | 139 BPM | ||
Domine Deus, Agnus Dei in F Major, ICM 13 | Cristobal de Morales, Pro Musica, Szabó Dénes | D Major | 1 | 10B | 163 BPM | ||
Quant en moy / Amour et biaute / Amara valde | DP (Machaut, Guillaume, Arr.:VladimirIvanoff, Sarband | C Major | 1 | 8B | 66 BPM |
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