Hear my Prayer, O Lord, Z. 15 - Henry Purcell, Armonico Consort, Christopher Monks Information

Acousticness: 99%
Danceability: 18%
Energy: 12%
Instrumentalness: 84%
Liveness: 9%
Loudness: 59%
Speechiness: 4%
Valence: 3%
Popularity: 37%
Loudness: -24.526 dB

Summary

"Hear my Prayer, O Lord, Z. 15" by Henry Purcell, Armonico Consort, Christopher Monks was released on October 27, 2010. The duration of Hear my Prayer, O Lord, Z. 15 is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Hear my Prayer, O Lord, Z. 15's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Naked Byrd Two". In this album, this song's track order is #5. Hear my Prayer, O Lord, Z. 15 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hear my Prayer, O Lord, Z. 15 BPM

With Hear my Prayer, O Lord, Z. 15 by Henry Purcell, Armonico Consort, Christopher Monks having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Hear my Prayer, O Lord, Z. 15 Key

This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Love Is Come Again	The Monteverdi Choir, John Eliot Gardiner	F Major	2	7B	78 BPM
The Passing of the Year: No. 1. Invocation	Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris	G Major	1	9B	143 BPM
Sequentia: Pie Jesu	Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena	E♭ Major	1	5B	76 BPM
Come, Ye Sons of Art Away, Z. 323 "Ode for Queen Mary's Birthday, 1694": No. 2. Duet, "Come Ye Sons of Art Away" (Arr. with Trumpet, Trombone, Baroque Guitar, Cello and Organ by Wim van Hasselt and Jörgen van Rijen)	Henry Purcell, Wim Van Hasselt, Jörgen Van Rijen, Benedikt Enzler, Mike Fentross, Jorge Lopez-Escribano	F Major	1	7B	107 BPM
4 Songs, Op. 13: No. 3. Sure on this shining night	Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer	B♭ Major	0	6B	101 BPM
Diporti di Euterpe, Op. 7: Lagrime mie	Barbara Strozzi, Paul Beier, Emanuela Galli, Ensemble Galilei	E♭ Minor	0	2A	105 BPM
4 Gesange, Op. 17: Es tont ein voller Harfenklang	Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling	C Major	1	8B	111 BPM
Evening Service In G Minor (Z.231): Magnificat	Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford	C Minor	3	5A	133 BPM
Trumpet Tune	Bertalan Hock, György Geiger, Henry Purcell	D Major	2	10B	101 BPM
Ein deutsches Requiem (A German Requiem), Op. 45: IV. Wie lieblich sind deine Wohnungen	Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner	E♭ Major	1	5B	124 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6449635028839111

End: 0.6507868766784668