"4 Motets, Op. 133: No. 3, Laudate Dominum" by Josef Rheinberger, Gloriae Dei Cantores, Elizabeth C. Patterson was released on January 3, 2006. The duration of 4 Motets, Op. 133: No. 3, Laudate Dominum is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. 4 Motets, Op. 133: No. 3, Laudate Dominum's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gloriae Dei Cantores, Elizabeth C. Patterson's "Joy & Gladness" album is number 3 out of 20. 4 Motets, Op. 133: No. 3, Laudate Dominum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 4 Motets, Op. 133: No. 3, Laudate Dominum by Josef Rheinberger, Gloriae Dei Cantores, Elizabeth C. Patterson to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kronstorfer Messe in D Minor, WAB 146: I. Kyrie | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | G Minor | 2 | 6A | 137 BPM | ||
Mass in B-Flat Major, Op. 172: I. Kyrie | Josef Rheinberger, Hans Jürgen Wulf, collegium vocale Limburg, Eberhard Metternich | B♭ Major | 2 | 6B | 69 BPM | ||
Burial service: I heard a voice from heaven | William Croft, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
4 Quartette, Op. 92: I. O schöne Nacht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | E Minor | 1 | 9A | 95 BPM | ||
Christus factus est | Anton Bruckner, Choir of Clare College, Cambridge, Graham Ross | D Minor | 1 | 7A | 139 BPM | ||
Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: III. Siehe, wir preisen. Langsam und sanft | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | F Major | 1 | 7B | 99 BPM | ||
Burial Service: Thou knowest, Lord, the secrets of our hearts, Z. 58C | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | ||
Mass in E-Flat Major, Op. 109, IJR 75 "Cantus Missae": V. Benedictus | Josef Rheinberger, Netherlands Radio Choir, Benjamin Goodson | F Major | 1 | 7B | 79 BPM | ||
Purcell: Funeral Sentences for the Death of Queen Mary, Z. 27: VI. "Thou Knowest Lord" | Henry Purcell, Alison Balsom, Balsom Ensemble | A Major | 1 | 11B | 132 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM |
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