Camille Saint-Saëns, Gennady Rozhdestvensky, Viktoria Postnikova's 'Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne' came out on 1977. The duration of Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne is about 3 minutes long, at 3:12. Based on our data, "Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Saint-Saëns : Le Carnaval des animaux, Introduction et Rondo Capriccioso". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. In terms of popularity, Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne by Camille Saint-Saëns, Gennady Rozhdestvensky, Viktoria Postnikova having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sometimes I Feel Like a Motherless Child | Samuel Coleridge-Taylor, Isata Kanneh-Mason | C Major | 1 | 8B | 68 BPM | ||
Suite in G Major, RCT 6: No. 14, Les sauvages - Arr. for Solo Cello - Nouvelles suites de pièces de clavecin | Jean-Philippe Rameau, Christian-Pierre La Marca | F♯ Minor | 3 | 11A | 85 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Ballabile | Blagoje Bersa, Goran Filipec | A Minor | 2 | 8A | 0 BPM | ||
Le Nozze di Figaro, K. 492: Sinfonia | Wolfgang Amadeus Mozart, Concerto Köln, René Jacobs | D Major | 1 | 10B | 142 BPM | ||
Catalan Folksong - arr. Pablo Casals (1876-1973) | Anonymous, Mischa Maisky, Pavel Gililov | A Minor | 0 | 8A | 89 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 106 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in E Major, Op. 8 No. 1, RV 269 "Spring": I. Allegro | Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra | E Major | 2 | 12B | 105 BPM |
Section: 0.7427456378936768
End: 0.747128963470459