"Adriana Lecouvreur / Act 2: Sia! Non rispondete...Eccolo, aperto!" by Francesco Cilea, Renata Tebaldi, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana was released on January 1, 1962. Adriana Lecouvreur / Act 2: Sia! Non rispondete...Eccolo, aperto! is about six minutes long, preciously at 5:49, making this song fairly long compared to other songs. The song is number 18 out of 35 in Cilea: Adriana Lecouvreur by Francesco Cilea, Renata Tebaldi, Mario del Monaco, Giulietta Simionato, Giulio Fioravanti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana. In terms of popularity, Adriana Lecouvreur / Act 2: Sia! Non rispondete...Eccolo, aperto! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur / Act 2: Sia! Non rispondete...Eccolo, aperto! by Francesco Cilea, Renata Tebaldi, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adriana Lecouvreur / Act 1: "Or dunque, Abate?" | Francesco Cilea, Francesco Ellero D'Artegna, Michel Sénéchal, Frances Ginzer, Deborah Stuart-Roberts, Bryn Terfel, Peter Bronder, Leo Nucci, Welsh National Opera Orchestra, Richard Bonynge | C Major | 2 | 8B | 71 BPM | ||
Le Comte Ory, Act I, Scene VIII, No. 4: En proie à la tristesse... Vous que l'on dit sensible... Céleste providence | Gioachino Rossini, Pretty Yende, Marco Armiliato | E♭ Major | 2 | 5B | 88 BPM | ||
Roméo et Juliette, Acte II: "L'amour... Ah! Lève-toi, soleil!" | Charles Gounod, Jonas Kaufmann, Bertrand de Billy | F Major | 1 | 7B | 80 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Cilea: Adriana Lecouvreur; Act 1: Io son l'umile | Francesco Cilea, Arturo Colautti, James Levine | A♭ Major | 1 | 4B | 133 BPM | ||
Chanson triste (version for voice and piano) | Henri Duparc, Paul Groves, Roger Vignoles | E♭ Major | 1 | 5B | 87 BPM | ||
Serse, HWV 40, Act I: Frondi tenere e belle ... Ombra mai fù | George Frideric Handel, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 1 | 5B | 94 BPM | ||
Rossini : La Cenerentola : Act 2 "Non più mesta accanto al fuoco" [Cenerentola, Clorinda, Tisbe, Dandini, Magnifico, Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | E Major | 2 | 12B | 127 BPM | ||
Don Pasquale / Act 2: "Povero Ernesto! Cercherò lontana terra" | Gaetano Donizetti, Juan Diego Flórez, Gianluigi Petrarulo, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A♭ Major | 1 | 4B | 127 BPM | ||
Mefistofele / Act III: "L'altra notte in fondo al mare" | Arrigo Boito, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 0 | 8B | 78 BPM |
Section: 0.7386882305145264
End: 0.7424376010894775