Francesco Cilea, Francesco Ellero D'Artegna, Michel Sénéchal, Frances Ginzer, Deborah Stuart-Roberts, Bryn Terfel, Peter Bronder, Leo Nucci, Welsh National Opera Orchestra, Richard Bonynge's 'Adriana Lecouvreur / Act 1: "Or dunque, Abate?"' came out on June 27, 1990. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 37 in Cilea: Adriana Lecouvreur by Francesco Cilea, Richard Bonynge, Dame Joan Sutherland, Carlo Bergonzi, Leo Nucci, Cleopatra Ciurca, Francesco Ellero D'Artegna, Michel Sénéchal, Frances Ginzer, Deborah Stuart-Roberts, Bryn Terfel, Peter Bronder, Chorus of the Welsh National Opera, Welsh National Opera Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Adriana Lecouvreur / Act 1: "Or dunque, Abate?" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adriana Lecouvreur / Act 1: "Or dunque, Abate?" by Francesco Cilea, Francesco Ellero D'Artegna, Michel Sénéchal, Frances Ginzer, Deborah Stuart-Roberts, Bryn Terfel, Peter Bronder, Leo Nucci, Welsh National Opera Orchestra, Richard Bonynge is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cilea: Adriana Lecouvreur: Acerba volutta - Act Two | Francesco Cilea, Montserrat Caballé, Janet Coster, Gianfranco Masini | D Major | 3 | 10B | 61 BPM | ||
Le violette | Alessandro Scarlatti, Luciano Pavarotti, John Wustman | B♭ Major | 2 | 6B | 107 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre" | Charles Gounod, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 77 BPM | ||
Adriana Lecouvreur / Act 2: L'anima ho stanca, e la meta è lontana | Francesco Cilea, Mario del Monaco, Giulietta Simionato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Franco Capuana | G Major | 3 | 9B | 72 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Catalani: La Wally, Act 1: "Ebben, ne andrò lontana" (Wally) | Alfredo Catalani, Cristina Gallardo-Domas, Maurizio Barbacini, Munich Radio Orchestra | E Major | 1 | 12B | 84 BPM | ||
Tre giorni son che Nina | Giovanni Battista Pergolesi, Carlo Bergonzi, Felix Lavilla | G Major | 1 | 9B | 133 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 3 | 11A | 80 BPM |
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