Kurt Weill, Matronsenlied, The Tango Project's ' "Sailor's Tango" was released on its scheduled release date, 1983. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Two To Tango: The Tango Project II". In this album, this song's track order is #8. Based on our statistics, Sailor's Tango's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sailor's Tango by Kurt Weill, Matronsenlied, The Tango Project having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Piano Concerto in G Major, M. 83: 2. Adagio assai | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 75 BPM | ||
Samuel Coleridge-Taylor: Hiawatha’s Wedding Feast: You shall hear how Pau-Puk-Keewis | Samuel Coleridge-Taylor, Philharmonia Orchestra, Royal Choral Society, Richard Lewis, Sir Malcolm Sargent | G Major | 2 | 9B | 89 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Elite Syncopations (arr. I. Perlman for violin and piano) | Itzhak Perlman, Scott Joplin, Matthew Trusler, Wayne Marshall | G Major | 3 | 9B | 100 BPM | ||
Gretchen am Spinnrade, D. 118 | Franz Schubert, Renée Fleming, Christoph Eschenbach | D Minor | 1 | 7A | 108 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
Lieutenant Kijé, Symphonic Suite, Op.60: 2. Romance | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 109 BPM | ||
C'est mon ami | Marie Antoinette, Sandrine Chatron | F Major | 1 | 7B | 102 BPM | ||
Eternal Source of Light Divine from Ode for the Birthday of Queen Anne | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Major | 2 | 10B | 138 BPM |