Teresa Ringholz's 'Gesellenreise K.468' came out on January 1, 2006. With Gesellenreise K.468 being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Teresa Ringholz's "Mozart Songs: Volume 1" album is number 12 out of 17. In terms of popularity, Gesellenreise K.468 is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gesellenreise K.468 by Teresa Ringholz to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Iphigénie en Tauride, Wq. 46 (Excerpts): Divinité de grandes âmes | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli | C Major | 2 | 8B | 127 BPM | ||
Monteverdi: Ohimé ch’io cado, SV 316 (Live) | Claudio Monteverdi, Victoria de los Ángeles, Gerald Moore | C Major | 2 | 8B | 114 BPM | ||
Così fan tutte, K. 588: Act 1: "Abbraciami, Idol Mio" - Quintetto "Di Scrivermi Ogni Giorno" - Coro "Bella Vita Militar!" / Sc. 6 - Recitativo "Dove Son?" | Wolfgang Amadeus Mozart, Concerto Köln, Bernarda Fink, Pietro Spagnoli, Véronique Gens, Marcel Boone, Werner Güra, Kölner Kammerchor, René Jacobs | F Major | 0 | 7B | 81 BPM | ||
Alceste, Wq. 44 (Excerpts): Vivre sans toi | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Nicolai Gedda, Jessye Norman | G Minor | 2 | 6A | 76 BPM | ||
Requiem: Requiem: 3. Aria (S). Tuba mirum | Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 82 BPM | ||
Gounod : Faust : Act 2 "C'est ici?" [Faust, Méphistophélès, Siébel] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 1 | 7B | 108 BPM | ||
La scala di seta: VII. Recitativo | Gioachino Rossini, Alessandro Corbelli, Teresa Ringholz, Ramón Vargas, Natale de Carolis, Francesca Provvisionato, Fulvio Massa, Marcello Viotti, English Chamber Orchestra | F Major | 1 | 7B | 93 BPM | ||
Schubert: Mass in G Major, D. 167: Benedictus | Franz Schubert, Lucia Popp, Adolf Dallapozza, Bavarian Radio Chorus, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 8. Arie: Nun beut die Flur das frische Grün | Joseph Haydn, Kathleen Battle, Berliner Philharmoniker, James Levine | B♭ Major | 0 | 6B | 110 BPM | ||
Semele, HWV 58 / Act 2: Oh Sleep, Why Dost Thou Leave Me? | George Frideric Handel, Kathleen Battle, English Chamber Orchestra, John Nelson | E Major | 0 | 12B | 61 BPM |
Section: 0.6596996784210205
End: 0.6641499996185303