Requiem: Requiem: 3. Aria (S). Tuba mirum - Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann Information

Acousticness: 97%
Danceability: 43%
Energy: 10%
Instrumentalness: 0%
Liveness: 17%
Loudness: 67%
Speechiness: 5%
Valence: 13%
Popularity: 6%
Loudness: -20.052 dB

Summary

"Requiem: Requiem: 3. Aria (S). Tuba mirum" by Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann was released on October 25, 2011. The duration of Requiem: Requiem: 3. Aria (S). Tuba mirum is about 3 minutes long, at 3:18. Based on our data, "Requiem: Requiem: 3. Aria (S). Tuba mirum" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Johann Christian Bach, RIAS Kammerchor, Akademie für Alte Musik Berlin, Hans-Christoph Rademann's "Johann Christian Bach: Requiem" album is number 4 out of 22. Requiem: Requiem: 3. Aria (S). Tuba mirum is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Requiem: Requiem: 3. Aria (S). Tuba mirum BPM

We consider the tempo marking of Requiem: Requiem: 3. Aria (S). Tuba mirum by Johann Christian Bach, Lenneke Ruiten, Akademie für Alte Musik Berlin, Hans-Christoph Rademann to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem: Requiem: 3. Aria (S). Tuba mirum Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Introduction et variations sur La belle meunière in E Minor, Op. 160, D. 802: III. Var. I	Franz Schubert, Emmanuel Pahud, Eric Le Sage	D Major	2	10B	101 BPM
Symphony in B-Flat Major, Op. 3, No. 4, W. C4: I. Allegro con spirito	Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür	F Major	1	7B	131 BPM
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro	Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra	E♭ Major	1	5B	157 BPM
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba"	George Frideric Handel, The English Concert, Trevor Pinnock	A Major	3	11B	118 BPM
Symphony in B-Flat Major, Op. 2 No. 1: II. Moderato e dolce	William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	1	6A	84 BPM
Piano Concerto No. 4 in G Minor: III. (Rondo): Allegretto	Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca	G Minor	2	6A	112 BPM
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade	Cologne Chamber Orchestra, Georg Philipp Telemann	D Major	3	10B	135 BPM
Adagio in F, H.XVII No.9	Franz Joseph Haydn, Alfred Brendel	F Major	0	7B	71 BPM
Violin Sonata in A Major, Op. 5 No. 6: III. Allegro	Arcangelo Corelli, Enrico Onofri	G Major	3	9B	116 BPM
Handel: Berenice, HWV 38, Overture: II. Andante (Larghetto)	George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner	E♭ Major	1	5B	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.3501770496368408

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