"Nazareno: Tormenta y Quitiplá" by Osvaldo Golijov, Gonzalo Grau, Miguel Harth-Bedoya, Katia Labèque, Marielle Labèque was released on January 1, 2011. The duration of Nazareno: Tormenta y Quitiplá is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Nazareno: Tormenta y Quitiplá's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Nazareno". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Spain. In terms of popularity, Nazareno: Tormenta y Quitiplá is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nazareno: Tormenta y Quitiplá by Osvaldo Golijov, Gonzalo Grau, Miguel Harth-Bedoya, Katia Labèque, Marielle Labèque having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passemezzo … nei boschi del Re | Paolo Pandolfo, Andrea De Carlo, Thomas Boysen, Guido Morini, Alvaro Garrido | D Minor | 1 | 7A | 102 BPM | ||
Officium breve in memoriam Andreae Szervánszky, Op. 28: XV. Arioso interrotto (di Endre Szervánsky). Larghetto | György Kurtág, Navarra String Quartet | C Major | 0 | 8B | 62 BPM | ||
Suite for Viola & Orchestra, Group 1: I. Prelude. Allegro moderato | Ralph Vaughan Williams, Timothy Ridout, Jamie Phillips, Orchestre de Chambre de Lausanne | C Major | 1 | 8B | 76 BPM | ||
Valencia | Caroline Shaw, Attacca Quartet | F Major | 1 | 7B | 137 BPM | ||
4e livre de viole: Muzette | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | D♭ Minor | 5 | 12A | 95 BPM | ||
Fólk fær andlit (Arr. Jarkko Riihimäki) | Hildur Guðnadóttir, Emily D'Angelo, das freie orchester Berlin, Jarkko Riihimäki | A Minor | 2 | 8A | 84 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Violin Concerto “Distant light” (1996/7): Andante I | Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra | E Minor | 1 | 9A | 87 BPM | ||
Sonata For Solo Cello: I. Dialogo: Adagio, rubato, cantabile | György Ligeti, Miklós Perényi | G Major | 0 | 9B | 69 BPM | ||
String poetic: II. Nocturne | Jennifer Higdon, Jennifer Koh, Reiko Uchida | C Major | 1 | 8B | 91 BPM |
Section: 0.7108068466186523
End: 0.7155585289001465