"Dance of the Sylphs (from La Damnation de Faust, Act II)" by Hector Berlioz, Academy of St. Martin in the Fields, Sir Neville Marriner was released on June 16, 2008. The duration of Dance of the Sylphs (from La Damnation de Faust, Act II) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Dance of the Sylphs (from La Damnation de Faust, Act II)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 48 in the song's album "Pure Classical". In this album, this song's track order is #13. Based on our statistics, Dance of the Sylphs (from La Damnation de Faust, Act II)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dance of the Sylphs (from La Damnation de Faust, Act II) by Hector Berlioz, Academy of St. Martin in the Fields, Sir Neville Marriner having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Harold en Italie, Op. 16: III. Allegro Assai (Serenade of an Abruzzi Mountain-Dweller to his Mistress) | Hector Berlioz, Rivka Golani, San Diego Symphony Orchestra, Yoav Talmi | C Major | 0 | 8B | 84 BPM | ||
Enigma Variations: Variation IX. Nimrod - Adagio | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | E♭ Major | 1 | 5B | 137 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM |
Section: 0.7930479049682617
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