"Cantus Officiorum: Antiphona: In exitu Israel" by Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca was released on January 1, 1991. With Cantus Officiorum: Antiphona: In exitu Israel being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 107 in the song's album "The Tradition of Gregorian Chant". In this album, this song's track order is #28. The popularity of Cantus Officiorum: Antiphona: In exitu Israel is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cantus Officiorum: Antiphona: In exitu Israel by Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca having a BPM of 177 with a half-time of 88 BPM and a double-time of 354 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudes de sainte Ursule: XXIII. Kyrie "Pater noster, Oratio" | Hildegard von Bingen, Ensemble Organum, Marcel Pérès | B♭ Minor | 0 | 3A | 72 BPM | ||
Misa de Difuntos: Evangelio | Coro De La Abadía Benedictina De Santo Domingo De Silos | F Major | 1 | 7B | 73 BPM | ||
Rorate Caeli Desuper | Coro Solemnis | F Major | 1 | 7B | 84 BPM | ||
Ave Maria... Et Benedictus | Benedettini Abbazia di San Paolo fuori le mura | G Major | 1 | 9B | 77 BPM | ||
Cantus Officiorum: Antiphona: Rorate caeli | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | F♯ Minor | 1 | 11A | 108 BPM | ||
Evening Prayer: VIII. Canticle of Mary: Magnificat | The Benedictine Monks of Worth Abbey | C Minor | 0 | 5A | 142 BPM | ||
Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Si Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
Regina Caeli | Lucien Deiss, CSSp | G Major | 0 | 9B | 170 BPM | ||
Ad Coeman Agni Providi | Monks And Choir Boys Of Downside Abbey | C Major | 1 | 8B | 95 BPM | ||
Agnus Dei | Cantores 'Regina Caeli' | C Major | 0 | 8B | 64 BPM |
Section: 0.8274309635162354
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