"Laudes de sainte Ursule: XXIII. Kyrie "Pater noster, Oratio"" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès was released on 1996. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hildegard von Bingen, Ensemble Organum, Marcel Pérès's "Hildegard von Bingen: Laudes de sainte Ursule" album is number 23 out of 25. On top of that, France appears to be the country where this track was created. Laudes de sainte Ursule: XXIII. Kyrie "Pater noster, Oratio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudes de sainte Ursule: XXIII. Kyrie "Pater noster, Oratio" by Hildegard von Bingen, Ensemble Organum, Marcel Pérès to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O tu suavissima virga | Hildegard von Bingen, Ensemble Mediatrix | G Minor | 0 | 6A | 77 BPM | ||
Inviolata | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | G Major | 0 | 9B | 187 BPM | ||
Gaudeamus universi ecclesie filii | Anon, Magnificat, Philip Cave | F Minor | 1 | 4A | 75 BPM | ||
Office des laudes : Respons vidi dominum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | E Major | 0 | 12B | 79 BPM | ||
O Magnum Mysterium (Tomás Luis de Victoria) | Sexteto Cantábile | G Minor | 1 | 6A | 76 BPM | ||
Messe de Notre-Dame: I. Introït Suscepimus | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | A Minor | 1 | 8A | 81 BPM | ||
Introitus | Chants From the Holyland- Graz Gregorian Chants School of Austri | A Major | 1 | 11B | 80 BPM | ||
Уст твоих | St. Peter St. Paul Cathedral Choir of Minsk | F Major | 2 | 7B | 88 BPM | ||
Credo IV | Cantores 'Regina Caeli' | D Major | 1 | 10B | 67 BPM | ||
Puer Natus Est | Traditional Gregorian Chant, The Benedictine Monks of St. Michael de Laudes | F♯ Major | 1 | 2B | 81 BPM |
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