"Evening Prayer: VIII. Canticle of Mary: Magnificat" by The Benedictine Monks of Worth Abbey was released on January 1, 1995. The duration of Evening Prayer: VIII. Canticle of Mary: Magnificat is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Evening Prayer: VIII. Canticle of Mary: Magnificat's duration is considered a little bit shorter than the average duration of a typical track. The song is number 31 out of 40 in Chants for St Benedict by The Benedictine Monks of Worth Abbey. Based on our statistics, Evening Prayer: VIII. Canticle of Mary: Magnificat's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Evening Prayer: VIII. Canticle of Mary: Magnificat by The Benedictine Monks of Worth Abbey is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All Receive The Baptism In Christ | The Sirin Choir, Choirmaster: Andrey Kotov | G Minor | 2 | 6A | 129 BPM | ||
Cantus Officiorum: Antiphona: Rorate caeli | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | F♯ Minor | 1 | 11A | 108 BPM | ||
Missa de angelis - Sanctus | Nova Schola Gregoriana, Alberto Turco | C Major | 1 | 8B | 72 BPM | ||
Missa Brevis: Benedictus (feat. Giovanni Pierluigi da Palestrina) | The Schola Cantorum of St. John XXIII Parish, Giovanni Pierluigi da Palestrina | E Major | 1 | 12B | 96 BPM | ||
Messe 'Salus Autem': Introit 'Salus Autem' | Public Domain, Dom Le Feuvre, Choeur des Bénédictins de l'Abbaye de Kergonan | F Major | 1 | 7B | 83 BPM | ||
Salutation & Offertory Verse: Terra Tremuit | Thibaut Marlin, Choeur Gregorien De Paris | B♭ Minor | 0 | 3A | 83 BPM | ||
Inviolata | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | G Major | 0 | 9B | 187 BPM | ||
Kontakion "Come, Let Us All Sing" - arr. A Kastalsky | Archangel Voices | E Minor | 2 | 9A | 115 BPM | ||
Office des laudes : Hymne christe, Redemptor | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | G Major | 0 | 9B | 83 BPM | ||
Répons graduel "Audi Filia" | Choeur des moines de l'abbaye Notre Dame de Fontgombault | F Minor | 1 | 4A | 82 BPM |
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