"Salutation & Offertory Verse: Terra Tremuit" by Thibaut Marlin, Choeur Gregorien De Paris was released on February 1, 2009. With Salutation & Offertory Verse: Terra Tremuit being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Louis Vierne: Messe Solennelle, Opus 16 - A Recreation of a Traditional Latin Mass at Saint-Sulpice Sunday of the Resurrection" album is number 1 out of 38. Salutation & Offertory Verse: Terra Tremuit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Salutation & Offertory Verse: Terra Tremuit by Thibaut Marlin, Choeur Gregorien De Paris to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Byrd: Tristitia Et Anxietas - 1. Tristitia | William Byrd, Peter Phillips, The Tallis Scholars | C Minor | 1 | 5A | 81 BPM | ||
Office des laudes : Respons vidi angelum | Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan, Dom Gaston le Nézet | F♯ Major | 0 | 2B | 128 BPM | ||
Priidite vospoim, lyudie (Come, o people) | Dmitry Bortniansky, Nikolai Korniev, Marina Ushapovskaya, Marina Nyelaiu, Vladimir Mostovoy, Alexei Buzakin, Vladimir Passiukov, St.Petersburg Chamber Choir, Natalia Kornieva, Elena Miskhina | G Minor | 2 | 6A | 80 BPM | ||
Kyrie | Cantores 'Regina Caeli' | F Major | 1 | 7B | 133 BPM | ||
Gloria from Easter Liturgy Mass | The Benedictine Nuns of St. Cecilia's Abbey | F Major | 1 | 7B | 72 BPM | ||
Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
O quam gloriosum | Dominican House of Studies | A Major | 1 | 11B | 133 BPM | ||
Salve Sancta Parens | Benedettini Abbazia di San Paolo fuori le mura | C Major | 0 | 8B | 75 BPM | ||
Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Si Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
Prokeimenon; The Prophecy of Ezekiel; Alleluia | Archangel Voices | D♭ Major | 0 | 3B | 128 BPM |
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