Erik Satie, Aldo Ciccolini's 'Satie: 6 Gnossiennes: No. 4, Lent' came out on February 1, 2000. With Satie: 6 Gnossiennes: No. 4, Lent being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 38 in the song's album "Satie: Works for Piano". In this album, this song's track order is #7. Furthermore, we believe that the track originated from France. In terms of popularity, Satie: 6 Gnossiennes: No. 4, Lent is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Satie: 6 Gnossiennes: No. 4, Lent by Erik Satie, Aldo Ciccolini having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Sarabande for Guitar, FP 179 | Francis Poulenc, Nash Ensemble | E Minor | 0 | 9A | 87 BPM | ||
Satie: 6 Pièces froides, Pt. 2: Danses de travers, III. Encore | Erik Satie, Anne Queffélec | A Minor | 0 | 8A | 87 BPM | ||
Tchaikovsky: The Seasons, Op. 37a: No. 10, October. Autumn Song | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | D Minor | 0 | 7A | 135 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Tchaikovsky: The Seasons, Op. 37a: No. 6, June. Barcarolle | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | B Major | 2 | 1B | 76 BPM | ||
Pavane pour une infante défunte, M. 19 | Maurice Ravel, Anna Vinnitskaya | E Minor | 0 | 9A | 67 BPM | ||
Piano Quintet in A Minor, Op. 14: II. Andante sostenuto | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | F Major | 0 | 7B | 72 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Cecile Ousset, Sir Neville Marriner, London Symphony Orchestra | D♭ Major | 0 | 3B | 82 BPM |
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