Francis Poulenc, Nash Ensemble's 'Sarabande for Guitar, FP 179' came out on November 1, 1999. The duration of Sarabande for Guitar, FP 179 is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Sarabande for Guitar, FP 179's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 34 in the song's album "Poulenc: Complete Chamber Music". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Sarabande for Guitar, FP 179 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sarabande for Guitar, FP 179 by Francis Poulenc, Nash Ensemble having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: 6 Gnossiennes: No. 3, Lent | Erik Satie, Bertrand Chamayou | F Minor | 1 | 4A | 63 BPM | ||
Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Schwanengesang, D. 957: No. 4, Ständchen (Transcr. for Cello and Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Minor | 0 | 7A | 72 BPM | ||
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
Two Dialogues with Postscript: III. Morning Serenade | Valentin Silvestrov, Hélène Grimaud, Camerata Salzburg | E Minor | 0 | 9A | 61 BPM | ||
6 Pieces, Op. 19: Nocturno, Op. 19, No. 4 | Pyotr Ilyich Tchaikovsky, Juan Francisco Otón | F Minor | 0 | 4A | 69 BPM | ||
3 Romances, Op. 94: No. 2, Einfach, innig (Transcr. Ottensamer for Clarinet and Piano) | Robert Schumann, Andreas Ottensamer, José Gallardo | A Major | 0 | 11B | 105 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Menuets, RCT 6/3-4 | Jean-Philippe Rameau, Bruce Liu | G Major | 0 | 9B | 78 BPM |
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