"Violin Fantasy on Puccini's 'Turandot'" by Giacomo Puccini, Vanessa-Mae, Viktor Fedotov, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden had its release date on December 10, 1997. This song appears to be safe for all ages as it is not explicit. The song is number 4 out of 5 in China Girl - The Classical Album 2 by Vanessa-Mae. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Violin Fantasy on Puccini's 'Turandot' is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Fantasy on Puccini's 'Turandot' by Giacomo Puccini, Vanessa-Mae, Viktor Fedotov, Orch.Of Royal Opera House Covent Garden, Orchestra of the Royal Opera House, Covent Garden is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Steam Engine - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | G Major | 2 | 9B | 116 BPM | ||
Madame Butterfly - Grosser Querschnitt: Eines Tages seh'n wir uns wieder | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | B Minor | 7 | 10A | 112 BPM | ||
Curtain | Dario Marianelli | D Minor | 4 | 7A | 68 BPM | ||
Le grand cahier: VII. Les pommes de grand-mère | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | E Minor | 1 | 9A | 125 BPM | ||
Satie / Orch. Milhaud: Jack-in-the-Box: No. 1, Prélude | Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden | G Minor | 0 | 6A | 170 BPM | ||
Elgar: Serenade for Strings in E Minor, Op. 20: II. Larghetto | Edward Elgar, Bournemouth Symphony Orchestra/Norman Del Mar, Norman Del Mar, Bournemouth Symphony Orchestra | E♭ Major | 2 | 5B | 84 BPM | ||
Love Theme from The Godfather | 2CELLOS | B♭ Major | 2 | 6B | 59 BPM | ||
La Boheme - Gesamtaufnahme in deutscher Sprache, 2. Bild: Wo ich auch geh', sei es allein am Abend in Paris | Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Lucia Popp, Stefan Soltesz, Muenchner Rundfunkorchester, Munich Radio Orchestra | D Minor | 1 | 7A | 131 BPM | ||
Salut d'amour, Op. 12, "Liebesgruss" (version for violin and piano) | Edward Elgar, Elissa Lee Koljonen, Robert Koenig | E Major | 1 | 12B | 142 BPM | ||
Giselle / Act 2: Grand pas de deux: Adage | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | E♭ Major | 0 | 5B | 73 BPM |