Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden made "Satie / Orch. Milhaud: Jack-in-the-Box: No. 1, Prélude" available on December 25, 2023. The duration of Satie / Orch. Milhaud: Jack-in-the-Box: No. 1, Prélude is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Satie / Orch. Milhaud: Jack-in-the-Box: No. 1, Prélude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Satie: Masterpieces". In this album, this song's track order is #41. Furthermore, we believe that the track originated from United Kingdom. The popularity of Satie / Orch. Milhaud: Jack-in-the-Box: No. 1, Prélude is currently not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Satie / Orch. Milhaud: Jack-in-the-Box: No. 1, Prélude by Erik Satie, John Lanchbery, Orchestra of the Royal Opera House, Covent Garden having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes n°4 en ut mineur | Francis Poulenc, Alexandre Tharaud | C Major | 0 | 8B | 73 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo (Andantino grazioso) | Robert Schumann, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 70 BPM | ||
Debussy: Piano Trio in G Major, L. 5: II. Scherzo - Intermezzo - Moderato con allegro | Claude Debussy, Bertrand Chamayou | F♯ Minor | 0 | 11A | 80 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Piano Concerto No.1 In G Minor, Op.25, MWV O7: 3. Presto | Felix Mendelssohn, Jean-Yves Thibaudet, Gewandhausorchester, Herbert Blomstedt | G Major | 2 | 9B | 97 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35 "Funeral March": II. Scherzo | Frédéric Chopin, Khatia Buniatishvili | F♯ Major | 0 | 2B | 66 BPM | ||
Nocturne No. 3 in A-Flat Major | John Field, Benjamin Frith | A♭ Major | 0 | 4B | 70 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Symphony No. 4 In E Minor, Op. 98: 3. Allegro giocoso - Poco meno presto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 127 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM |
Section: 0.5659065246582031
End: 0.5707471370697021