- BPM
- 87
- Key
- D Minor
- Camelot
- 7A
Baal Shem, B. 47: II. Nigun (Arr. Avital for Mandolin) - Live - Ernest Bloch, Avi Avital Information
- Acousticness
- 91%
- Danceability
- 31%
- Energy
- 31%
- Instrumentalness
- 90%
- Liveness
- 74%
- Loudness
- 69%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 0%
- Loudness
- -18.654 dB
Summary
"Baal Shem, B. 47: II. Nigun (Arr. Avital for Mandolin) - Live" by Ernest Bloch, Avi Avital was released on March 22, 2024. Baal Shem, B. 47: II. Nigun (Arr. Avital for Mandolin) - Live is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. The song is number 1 out of 14 in Avi Avital: The Verbier Recital (Live) by Avi Avital. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Baal Shem, B. 47: II. Nigun (Arr. Avital for Mandolin) - Live is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Baal Shem, B. 47: II. Nigun (Arr. Avital for Mandolin) - Live BPM
The tempo marking of Baal Shem, B. 47: II. Nigun (Arr. Avital for Mandolin) - Live by Ernest Bloch, Avi Avital is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Baal Shem, B. 47: II. Nigun (Arr. Avital for Mandolin) - Live Key
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | |
 | Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | |
 | Melody, Op. 21, No. 9 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | B♭ Major | 1 | 6B | 79 BPM | |
 | Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | D♭ Minor | 6 | 12A | 160 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Piano Concerto No. 4 in G Minor: II. Largo | Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | C Minor | 1 | 5A | 180 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | |
 | Adagio in B Minor, K. 540 | Wolfgang Amadeus Mozart, Víkingur Ólafsson | A♭ Major | 0 | 4B | 69 BPM | |
 | Douce rêverie in G Minor | Tekla Bądarzewska-Baranowska, Hiroko Ishimoto | G Minor | 1 | 6A | 131 BPM | |
 | Schumann: 6 Studien in kanonischer Form, Op. 56: No. 1, Nicht schnell | Robert Schumann, Piotr Anderszewski | C Major | 0 | 8B | 173 BPM |
- ISRC
- DEN962431501
- Label
- L-M Records/RCA Records
Section: 0.6707603931427002
End: 0.674584150314331