- BPM
- 66
- Key
- E Minor
- Camelot
- 9A
Eugene Onegin, Op. 24, Act II: Mazurka - Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov Information
- Acousticness
- 91%
- Danceability
- 34%
- Energy
- 15%
- Instrumentalness
- 0%
- Liveness
- 25%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 45%
- Popularity
- 4%
- Loudness
- -21.592 dB
Summary
Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov made "Eugene Onegin, Op. 24, Act II: Mazurka" available on 1990. With this song being about 5 minutes long, at 4:49, "Eugene Onegin, Op. 24, Act II: Mazurka" by Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 23 in the song's album "Tchaikovsky: Eugene Onegin". In this album, this song's track order is #16. Eugene Onegin, Op. 24, Act II: Mazurka is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
Eugene Onegin, Op. 24, Act II: Mazurka BPM
With Eugene Onegin, Op. 24, Act II: Mazurka by Pyotr Ilyich Tchaikovsky, Sofia Festival Orchestra, Emil Tchakarov having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Eugene Onegin, Op. 24, Act II: Mazurka Key
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | |
 | Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | |
 | Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Daniel Barenboim | E♭ Major | 0 | 5B | 79 BPM | |
 | Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | |
 | Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | |
 | Fantasie-impromptu in C-Sharp Minor, Op. 66 No. 4 | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 1 | 3B | 82 BPM | |
 | Romeo and Juliet, Op. 64 - Act 1: Romeo | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 132 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | C Minor | 1 | 5A | 55 BPM | |
 | Cinderella, Op.87: 13. Summer Fairy | Sergei Prokofiev, Cleveland Orchestra, Vladimir Ashkenazy | F Major | 1 | 7B | 74 BPM | |
 | Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6300439834594727
End: 0.6351895332336426