"Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo"" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations was released on September 3, 2021. With Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo" being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 88 in the song's album "Passion - Officivm Hebdomadæ Sanctæ". In this album, this song's track order is #1. In terms of popularity, Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Feria sexta in passione Domini: Ad matutinum. Introductio "Ecce quomodo" by Tomás Luis de Victoria, Jordi Savall, Le Concert Des Nations having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Missa "Mater Patris": Kyrie from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | D♭ Minor | 3 | 12A | 78 BPM | ||
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM |
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