- BPM
- 77
- Key
- F♯ Major
- Camelot
- 2B
Khamma (arr. C. Koechlin) - Charles Koechlin, Claude Debussy, Stuttgart Radio Symphony Orchestra, Heinz Holliger Information
- Acousticness
- 94%
- Danceability
- 7%
- Energy
- 1%
- Instrumentalness
- 24%
- Liveness
- 8%
- Loudness
- 49%
- Speechiness
- 4%
- Valence
- 3%
- Popularity
- 3%
- Loudness
- -30.408 dB
Summary
"Khamma (arr. C. Koechlin)" by Charles Koechlin, Claude Debussy, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on May 1, 2012. Khamma (arr. C. Koechlin) appears to be safe for all ages as it is not explicit. The track order of this song in Charles Koechlin, Heinz Holliger's "Magicien orchestrateur" album is number 1 out of 14. On top of that, Germany appears to be the country where this track was created. Khamma (arr. C. Koechlin) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Khamma (arr. C. Koechlin) BPM
We consider the tempo marking of Khamma (arr. C. Koechlin) by Charles Koechlin, Claude Debussy, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Khamma (arr. C. Koechlin) Key
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | 6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | |
 | 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | |
 | Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio | Anton Arensky, The Rembrandt Trio | G Minor | 0 | 6A | 90 BPM | |
 | Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | |
 | 13 Pieces for Piano, Op. 76: Elegiaco, No. 10 | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 169 BPM | |
 | Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | |
 | Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | |
 | Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | |
 | Piano Concerto, Op. 38: 2. Moderato | Samuel Barber, Elizabeth Joy Roe, London Symphony Orchestra, Emil Tabakov | D Major | 1 | 10B | 110 BPM | |
 | 3 Concert Études, S. 144: No. 3 in D-Flat Major, "un sospiro" | Franz Liszt, William Wolfram | D♭ Major | 1 | 3B | 69 BPM |
- ISRC
- DEA551030535
- Label
- L-M Records/RCA Records
Section: 0.6477210521697998
End: 0.6516842842102051