Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra's 'Surabaya Johnny' came out on August 16, 1996. With this song being about 5 minutes long, at 5:15, "Surabaya Johnny" by Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Twentieth Century Blues - An Evening In The Weimar Republic". In this album, this song's track order is #14. The popularity of Surabaya Johnny is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Surabaya Johnny by Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Otto e mezzo - Suite: 1. Titoli | Nino Rota, Filarmonica della Scala, Riccardo Chailly | E Major | 2 | 12B | 138 BPM | ||
Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Diana Damrau, Christian Thielemann, Munich Philharmonic Orchestra | G Major | 0 | 9B | 178 BPM | ||
Dido and Aeneas, Z. 626: Act III: When I am Laid in Earth | Henry Purcell, Leontyne Price, Francesco Molinari-Pradelli | G Minor | 1 | 6A | 86 BPM | ||
Après un rêve | Gabriel Fauré, Renée Fleming, Jean-Yves Thibaudet | G Minor | 2 | 6A | 94 BPM | ||
L’opéra de quat'sous, Act II: Deuxième finale de quat'sous | Kurt Weill, Chœur Passerelles, Le Balcon, Maxime Pascal, Véronique Vella, Birane Ba | C Minor | 2 | 5A | 91 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
Rigoletto / Act 1: "Gualtier Maldè...Caro nome" | Giuseppe Verdi, Dame Joan Sutherland, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Francesco Molinari-Pradelli | E Major | 0 | 12B | 85 BPM | ||
Schubert: Gretchen am Spinnrade, Op. 2, D. 118 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | D Minor | 1 | 7A | 74 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Poème de Paul Verlaine: L'heure exquise | Reynaldo Hahn, Marie-Nicole Lemieux | B Major | 0 | 1B | 94 BPM |
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