Franz Schubert, Barbara Bonney, Geoffrey Parsons's 'Schubert: Heidenröslein, Op. 3 No. 3, D. 257' came out on January 1, 1994. With Schubert: Heidenröslein, Op. 3 No. 3, D. 257 being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #8. In terms of popularity, Schubert: Heidenröslein, Op. 3 No. 3, D. 257 is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schubert: Heidenröslein, Op. 3 No. 3, D. 257 by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Das Veilchen | Clara Schumann, Barbara Bonney, Vladimir Ashkenazy | F Major | 0 | 7B | 136 BPM | ||
Frauenliebe und -leben Op.42: 7. An meinem Herzen, an meiner Brust | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | D Major | 1 | 10B | 66 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Wohin?, Op. 25, No. 2, D. 795 | Franz Schubert, Philippe Sly, John Charles Britton | E Major | 1 | 12B | 167 BPM | ||
4 Norwegian Dances, Op. 35: No. 2 in A-Major: Allegretto tranquillo e grazioso | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 0 | 11B | 136 BPM | ||
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Harry Peeters, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | G Minor | 1 | 6A | 134 BPM | ||
5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Bernarda Fink, Roger Vignoles | E♭ Major | 2 | 5B | 89 BPM |
Section: 1.3369460105895996
End: 1.3423616886138916