"Das Veilchen" by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy was released on January 1, 1997. With Das Veilchen being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 29 in the song's album "Robert & Clara Schumann Lieder - Frauenliebe und -Leben". In this album, this song's track order is #7. Based on our statistics, Das Veilchen's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Das Veilchen by Clara Schumann, Barbara Bonney, Vladimir Ashkenazy having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
An die ferne Geliebte, Op. 98: 4. Diese Wolken in den Höhen | Ludwig van Beethoven, Dietrich Fischer-Dieskau, Jörg Demus | F Major | 1 | 7B | 124 BPM | ||
Debussy: Apparition, CD 57, L. 53 | Claude Debussy, Sabine Devieilhe, Alexandre Tharaud | A♭ Minor | 1 | 1A | 89 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM | ||
Notturno in F major Op.6 No.2: Notturno in F major Op.6 No.2 | Clara Schumann, William Howard | F Major | 0 | 7B | 71 BPM | ||
German Requiem, Op. 45: Denn wir haben hie keine bleibende Statt | Johannes Brahms, London Symphony Orchestra, Valery Gergiev, Christopher Maltman, London Symphony Chorus | E♭ Major | 0 | 5B | 98 BPM | ||
Rückert Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Andreas Schmidt, Cord Garben | D♭ Major | 0 | 3B | 62 BPM | ||
Études Latines: "Tyndaris" | Reynaldo Hahn, Susan Graham | A♭ Major | 0 | 4B | 106 BPM | ||
Als die alte Mutter, Op. 55, No. 4 | Antonín Dvořák, Jonas Kaufmann, Helmut Deutsch | D Major | 1 | 10B | 65 BPM | ||
Lieder (Duette), Op. 63: I. Ich wollt, meine Liebe ergösse sich | Felix Mendelssohn, Angelika Kirchschlager, Barbara Bonney | C Minor | 0 | 5A | 69 BPM | ||
Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM |
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