"Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde" by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 7 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, R: 6 Lieder, Op. 37: No. 3, Meinem Kinde by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Gedichte, Op. 14: No. 2, So fügt sich Blüt'- an Blütezeit | Ernst von Dohnányi, Victor Heindl, Äneas Humm, Judit Polgar | B♭ Minor | 1 | 3A | 121 BPM | ||
An die ferne Geliebte, Op. 98: No. 5, Es kehret der Maien, es blühet die Au | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | C Major | 0 | 8B | 71 BPM | ||
Spring Symphony, Op. 44, Part II: Waters Above (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Petite messe solennelle: VI. Gloria. Gratias | Gioachino Rossini, Giulio Prandi, José Maria Lo Monaco, Edgardo Rocha, Christian Senn, Francesco Corti | A Minor | 0 | 8A | 144 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
5 Canons on Latin Texts, Op. 16: Dormi Jesu | Anton Webern, Jennifer Welch-Babidge, Charles Neidich, Michael Lowenstern | D♭ Major | 0 | 3B | 110 BPM | ||
Stravinsky: Le Rossignol, Act II: Chanson du rossignol. "Ah, joie, emplis mon coeur" | Igor Stravinsky, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Minor | 0 | 8A | 167 BPM | ||
12 Romances, Op. 21: No. 5, Lilacs | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Schwanengesang, D.957: Abschied | Franz Schubert, Dietrich Fischer-Dieskau, Alfred Brendel | E Major | 0 | 12B | 108 BPM | ||
6 Lieder, Op. 56, TrV 220: No. 1, Gefunden | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Minor | 1 | 3A | 163 BPM |
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