"12 Romances, Op. 21: No. 5, Lilacs" by Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas was released on April 12, 2024. With 12 Romances, Op. 21: No. 5, Lilacs being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Rachmaninoff: Songs". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. 12 Romances, Op. 21: No. 5, Lilacs is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Romances, Op. 21: No. 5, Lilacs by Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hänsel und Gretel: Abends will ich schlafen gehn | Engelbert Humperdinck, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | A♭ Major | 0 | 4B | 81 BPM | ||
Les Roses D'Ispahan Op.39 N°4 (Leconte De Lisle) | Gabriel Fauré, Frederica von Stade | D Major | 1 | 10B | 108 BPM | ||
13 Preludes, Op. 32: No. 7 in F Major (Moderato) | Sergei Rachmaninoff, Vladimir Ashkenazy | F Major | 0 | 7B | 131 BPM | ||
Die Schöpfung, Hob XXI:2, Part II: Die Schöpfung, Hob XXI:2, Part II: No. 26, Vollendet ist das große Werk | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, Christiane Karg, Benjamin Bruns, Tareq Nazmi, MDR Leipzig Radio Choir | B♭ Major | 1 | 6B | 116 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
The Bells, Op. 35: 3. Presto (Alarm Bells) | Sergei Rachmaninoff, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | B Minor | 2 | 10A | 132 BPM | ||
O Waly Waly | Charlotte Hoather | A Major | 2 | 11B | 85 BPM | ||
Les pêcheurs de perles, WD 13, Act I: Je crois entendre encore - Remastered 2024 | Georges Bizet, Raphael Arié, London Symphony Orchestra, Josef Krips | A Minor | 1 | 8A | 140 BPM | ||
Brahms: 5 Romanzen und Gesänge, Op. 84: No. 4, Vergebliches Ständchen (Live) | Johannes Brahms, Victoria de los Ángeles, Gerald Moore | D Major | 2 | 10B | 90 BPM |
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