"Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) (with The Orchestra of St. Luke's) - Voice" by George Frideric Handel, Wynton Marsalis, Kathleen Battle, Orchestra of St. Luke's, John Nelson was released on 1984. The duration of Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) (with The Orchestra of St. Luke's) - Voice is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) (with The Orchestra of St. Luke's) - Voice's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 18 in Classic Kathleen Battle by Kathleen Battle. Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) (with The Orchestra of St. Luke's) - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Eternal Source of Light Divine (Ode for the Birthday of Queen Anne, HWV 74) (with The Orchestra of St. Luke's) - Voice by George Frideric Handel, Wynton Marsalis, Kathleen Battle, Orchestra of St. Luke's, John Nelson is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: II. Te Deum laudamus | Marc-Antoine Charpentier, Bernard Deletré, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 84 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Mozart: Mass No. 17 in C Minor, K. 427/417a, "Great Mass": I. Kyrie | Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée | C Minor | 1 | 5A | 167 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Requiem: Pie Jesu | Maurice Duruflé, Cecilia Bartoli, Orchestra dell'Accademia Nazionale di Santa Cecilia, Myung-Whun Chung, Daniele Rossi, Luigi Piovano | A♭ Major | 0 | 4B | 80 BPM | ||
Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | ||
Manna: Laudate pueri: IV. Gloria | Gennaro Manna, Jakub Józef Orliński, Il pomo d'oro Choir, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 80 BPM | ||
Orfeo ed Euridice (Orphée et Eurydice), Wq. 30 - Vienna Version (1762) / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Andreas Scholl, Orchestra of the Age of Enlightenment, Sir Roger Norrington | F♯ Major | 0 | 2B | 103 BPM |
Section: 0.5971240997314453
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