Plovdiv Philharmonic Orchestra's 'The Barber Of Seville: Overture' came out on March 1, 2014. Since The Barber Of Seville: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Magic of the Opera" album is number 35 out of 46. The Barber Of Seville: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Barber Of Seville: Overture by Plovdiv Philharmonic Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Serenade for Strings, Op. 20: II. Larghetto | Edward Elgar, London Philharmonic Orchestra, Peter Manning, Vernon Handley | C Major | 0 | 8B | 66 BPM | ||
L'Arlésienne Suite No. 2: IV. Farandole (Arr. E. Guirand for Orchestra) | Ernest Guiraud, Georges Bizet, Yomiuri Nippon Symphony Orchestra, Kazuo Yamada | E♭ Major | 1 | 5B | 84 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 20 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | E Minor | 1 | 9A | 77 BPM | ||
Peer Gynt, Op. 23: Acti IV, 16, Anitra's Dance | Edvard Grieg, Esa-Pekka Salonen | A Major | 0 | 11B | 167 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
Tosca: Tosca, Act II: Vissi d'arte | Giacomo Puccini, Ghena Dimitrova, Plovdiv Philharmonic Orchestra, Rouslan Raichev | A♭ Minor | 1 | 1A | 78 BPM | ||
Symphonic Dances: part 1 | Dimitar Sagaev, Plovdiv Philharmonic Orchestra, Dobrin Petkov | B♭ Minor | 7 | 3A | 90 BPM | ||
Grand Canyon Suite: III. On the Trail | Ferde Grofé, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 75 BPM | ||
Life and Works: Rusalka (Act I: Song to the Moon) | Sean Barrett | F♯ Major | 0 | 2B | 126 BPM | ||
Die Walküre / Dritter Aufzug: Der Walküren-Ritt - Hojotoho! | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | E♭ Major | 4 | 5B | 135 BPM |
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