Dimitar Sagaev, Plovdiv Philharmonic Orchestra, Dobrin Petkov's 'Symphonic Dances: part 1' came out on April 10, 1961. Since Symphonic Dances: part 1 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Bulgarian National Radio Symphony Orchestra, Plovdiv Philharmonic Orchestra, Konstantin Iliev, Dobrin Petkov's "Lyubomir Pipkov: Journey through Albania - Dimitar Sagaev: Symphonic Dances" album is number 3 out of 4. On top of that, Bulgaria appears to be the country where this track was created. In terms of popularity, Symphonic Dances: part 1 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonic Dances: part 1 by Dimitar Sagaev, Plovdiv Philharmonic Orchestra, Dobrin Petkov to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Auditions | Kerry Muzzey, Dániel Dinyés, Budapest Art Orchestra | C Major | 4 | 8B | 86 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gewandhausorchester, Václav Neumann | C Major | 3 | 8B | 129 BPM | ||
Humoresque in G-Flat Major, Op. 101, B. 187 | Antonín Dvořák, Prague Symphony Orchestra, Václav Smetáček | B Major | 0 | 1B | 168 BPM | ||
ユーモレスク | レディス・オーケストラ・ジャパン | F♯ Major | 1 | 2B | 88 BPM | ||
The Barber of Seville: "Largo al factotum" - Instrumental | Gioachino Rossini, Andre Kostelanetz & His Orchestra | C Major | 5 | 8B | 115 BPM | ||
La pentola magica, P. 129: Finale | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride - Ingrid's Lament. Allegro furioso - Andante doloroso | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Minor | 1 | 7A | 72 BPM | ||
Romance (浪漫曲) | 純音樂 | G Major | 2 | 9B | 132 BPM | ||
Lucy, Charlotte And Miss Lavish See The City | Richard Robbins, Richard Robbins And Orchestra, Orchestra | F Major | 1 | 7B | 84 BPM | ||
Jafar and Iago Scheme - Remastered 2022 | Alan Menken, Disney | G Major | 1 | 9B | 136 BPM |
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